Adobe Illustrator is among the leading vector graphic software out there. There are so many ways that Illustrator can be used to enhance artwork for any occasion. There may eventually be problems while using Illustrator. These problems may not be the fault of Illustrator, they may result from malware, corrupt software, or anything else that can go wrong. Having a missing Menu Bar in Illustrator may have a few causes.
Missing menus in Illustrator can be a result of a few things which are not necessarily Illustrator’s fault. Remember that the computer has many components working together to give you results. If any one thing is not working, then it could affect everything else. Illustrator uses a lot of resources so it can be easily affected by any issues with your computer hardware or software. Whenever there are any problems, it is best to start looking at the easiest and simplest fixes first and work your way up.
Illustrator Menus are missing check to see that your operating system is up to date. You can do this by going to Start, then Settings, then clicking Windows Update on the left side of the window. In Windows 11, you can also update the drivers for your computer, so you can check Optional updates if there are any other updates.
If the operating system and drivers are updated, then check to see that your version of illustrator is updated. If it is updated try to remember if the menus went missing after the update. Check Adobe’s website to see if there are known issues and fixes with updates.
One solution that is worth looking into is renaming the UXP folder. Simply close Illustrator, changing the name from UXP to ~UXP then open Illustrator. The location of the UXP folder may be different based on your operating system or version of Illustrator. To find the UXP folder go to C:\Program Files\Common Files\Adobe\UXP. The UXP folder may not be available in older versions of Illustrator.
Related: Fix Missing Toolbar and Panel in Illustrator
Winsock is an application programming interface (API) that works between applications, like a web browser, and underlying communication protocols, like TCP/IP. Winsock stores settings that are important to how those applications and communications interact in a database usually referred to as the Winsock Catalog.
The Winsock catalog can become corrupted by malware, or by accident. This will cause applications on one PC to probably fail to connect to the internet. You might see vague, unhelpful messages informing you that your application was “unable to connect,” or you might see more specific error messages about sockets. With newer versions of Adobe products needing an internet connection, this could cause a malfunction such as a missing menu.
To run the reset Winstock do the following:
Booting the system in Clean Boot State starts your system in a manner that it prevents third-party software/services from automatically loading or opening.
If Illustrator launches fine in the Clean Boot State, then there could be some third-party services or applications like antivirus, plugins, or web extensions that are conflicting with the launch of Illustrator. Identify and disable the conflicting program on your user account and then launch Illustrator.
Related: Fix Missing Toolbar and Panel in Illustrator
The top menu bar becomes visible when you open a new document in Illustrator. When you just open Illustrator without any document, or if you close all the documents the menu bar will disappear, but once you open a document the menu bar should appear. If the menu bad does not show or it has missing items, this article will help you solve that problem.
Read: How to make a Chef Hat in Illustrator
There are many menus in Illustrator and they are located on the Menu Bar. The Menu Bar is located at the top of the Workspace and is only visible when there is an open document.
Missing menus in Illustrator may be caused by outdated operating systems, outdated drivers, or outdated Illustrator software. Missing menus can also be caused by problems with Winstock, the application programming interface that works between applications. Missing menus can be caused by problems with third-party software so starting in safe mode with limited apps running can help detect the problem.
TIP: If your Illustrator Toolbars are missing, to get them back, just hit the Tab key again and see if they appear.
It is important to keep updated because the Adobe software will get fixes that may have been present in older versions. The manufacturer may notice vulnerabilities and fix them by releasing updates. Updates are also important because the manufacturer will have to keep up with the new changes in the operating system and other components.
The Microsoft Threat Intelligence Center (MSTIC) and the Microsoft Security Response Center (MSRC) on Wednesday claimed that they found an Austrian-based private-sector offensive actor (PSOA) exploiting multiple Windows and Adobe 0-day exploits in “limited and targeted attacks” against European and Central American customers.
For the unversed, PSOAs are private companies that manufacture and sell cyberweapons in hacking-as-a-service packages, often to government agencies around the world, to hack into their targets’ computers, phones, network infrastructure, and other devices.
The Austrian-based PSOA named DSIRF, which Microsoft had dubbed Knotweed, has been linked to the development and attempted sale of a malware toolset called “Subzero”.
DSIRF promotes itself on the website as a company that provides “mission-tailored services in the fields of information research, forensics as well as data-driven intelligence to multinational corporations in the technology, retail, energy, and financial sectors” and have “a set of highly sophisticated techniques in gathering and analyzing information.”
The Redmond giant said the Austria-based DSIRF falls into a group of cyber mercenaries that sell hacking tools or services through a variety of business models. Two common models for this type of actor are access-as-a-service and hack-for-hire.
MSTIC found that the Subzero malware was being circulated on computers through a variety of methods, including 0-day exploits in Windows and Adobe Reader, in the years, 2021 and 2022.
As part of its investigation into the utility of this malware, Microsoft’s communications with a Subzero victim revealed that they had not authorized any red teaming or penetration testing, and confirmed that it was unauthorized, malicious activity.
“Observed victims to date include law firms, banks, and strategic consultancies in countries such as Austria, the United Kingdom, and Panama. It’s important to note that the identification of targets in a country doesn’t necessarily mean that a DSIRF customer resides in the same country, as international targeting is common,” Microsoft wrote in a detailed blog post.
“MSTIC has found multiple links between DSIRF and the exploits and malware used in these attacks. These include command-and-control infrastructure used by the malware directly linking to DSIRF, a DSIRF-associated GitHub account being used in one attack, a code signing certificate issued to DSIRF being used to sign an exploit, and other open-source news reports attributing Subzero to DSIRF.”
In May 2022, Microsoft detected an Adobe Reader remote code execution (RCE) and a 0-day Windows privilege escalation exploit chain being used in an attack that led to the deployment of Subzero.
“The exploits were packaged into a PDF document that was sent to the victim via email. Microsoft was not able to acquire the PDF or Adobe Reader RCE portion of the exploit chain, but the victim’s Adobe Reader version was released in January 2022, meaning that the exploit used was either a 1-day exploit developed between January and May, or a 0-day exploit,” the company explained.
Based on DSIRF’s extensive use of additional zero-days, Microsoft believes that the Adobe Reader RCE was indeed a zero-day exploit. The Windows exploit was analyzed by MSRC, found to be a 0-day exploit, and then patched in July 2022 as CVE-2022-22047 in the Windows Client/Server Runtime Subsystem (csrss.exe).
The Austrian company’s exploits are also being linked to previous two Windows privilege escalation exploits (CVE-2021-31199 and CVE-2021-31201) being used in conjunction with an Adobe Reader exploit (CVE-2021-28550), all of which were patched in June 2021.
In 2021, the cyber mercenary group was also linked to the exploitation of a fourth zero-day, a Windows privilege escalation flaw in the Windows Update Medic Service (CVE-2021-36948), which allowed an attacker to force the service to load an arbitrary signed DLL.
To mitigate against such attacks, Microsoft has recommended its customers to:
Besides using technical means to disrupt Knotweed, Microsoft has also submitted written testimony to the House Permanent Select Committee on Intelligence Hearing on “Combatting the Threats to U.S. National Security from the Proliferation of Foreign Commercial Spyware.”
If you purchased an Adobe Acrobat license that your company no longer needs and want to sell it to another individual or business, you can instigate a license transfer through Adobe Systems so your buyer will be able to install the software without using your name to register it, obtain support and purchase upgrades for it. The transfer procedure requires specific forms, steps and information, including details that both you and your transferee must supply. To assure that the process goes smoothly, plan ahead for each step before you begin.
Call Adobe Customer Service to get a license-transfer case number. To locate the correct support telephone number, go to adobe.com and click on the "Support & Learning" tab at the top of the window. Click on the "Contact Us" link to load the Contact Support and Customer Service page. Select "Acrobat" from the product list and choose "Downloading, Installing & Setting Up" from the "Tell Us What You Need Help With" menu. Click on the "I Still Need Help" button and then "Call an Agent" to reveal the Customer Service toll-free telephone number. You'll need to supply your Adobe Customer ID to obtain a case number. If you purchased Adobe Acrobat from a reseller rather than directly from Adobe Systems, gather up your proof of purchase and a photo ID before you make the call.
Download the Adobe Systems Transfer of License form (see Resources). Type the details of your Acrobat product, including its full product name, version number, computer platform and serial number, into the fields on the PDF form.
Enter the details of your product registration. These include your name, title, company name, email and street addresses, phone and fax numbers, and the case number you obtained from Adobe Systems.
Enter the license transferee's required data, including her name, title, company name, email and street addresses, and phone and fax numbers. If she has an Adobe customer number, ask for it so you can enter it as well.
Print the form. Sign and date it, and obtain the transferee's dated signature. If you and she live in different parts of the U.S., you may need to mail her the form and include a pre-stamped return envelope so she can send it back to you for completion and submission.
Scan the completed form, your proof of purchase -- if you're required to supply it -- and your photo ID so you can upload these documents to Adobe Systems with your completed License Transfer form. Valid proof of purchase must show the name and address of the reseller, the date you made the purchase and the amount you paid, along with the product and version you purchased. If your receipt shows a name, it must match the individual or company name you registered on your Adobe account.
Visit the online Adobe Systems customer support portal (see Resources). Enter your Adobe Customer ID and password so you can sign in to your online account.
Locate the case number you obtained and click on it so you can upload your scanned documentation. Active support cases appear on the "My Open Support Cases" page of your online account.
Give the transferee any physical media on which you purchased Acrobat product installers or updaters for the license you're transferring. For example, if you initially purchased Adobe Acrobat Professional 8 and have upgraded it through versions 9, X and XI, you must provide the physical media for all applicable versions.
Launch the software on any computer on which you've installed it, open the "Help" menu and choose "Deactivate." Select "Deactivate Permanently" to remove the product authorization from each system. Uninstall the software using the uninstallation feature provided through the Windows operating system or the product uninstaller provided when you installed the application on a Mac.
Sydney-based couples therapist Melissa Ferrari, who is also a parent, understands how all-consuming raising children can be.
"From what I see in my office on a daily basis, I also see a lot of how relationships suffer when the children are put first," she told ABC Radio Sydney.
So here's how to wrestle the focus back from solely on the children to the adults in the family as well — even if it's just a few moments each day.
While carving out some time for a child-free "date night" is valuable, Melissa wants couples to consider what they can do in between those all-too-rare events — even on the busiest of days — to keep their connection healthy.
It can be a certain look in the midst of a chaotic morning, a sneaky snuggle before rushing out the door, or a thoughtful comment: "I'll be thinking of you", or 'good luck with the meeting today'."
"All of those kinds of things, is what connection really is about, it's kind of saying to your partner, 'I see you, I value you'," Melissa says.
"The truth is, that real connection does happen in those very, very small moments."
When ABC Radio Sydney's Afternoons program asked listeners what had worked for them, there were plenty of suggestions.
So here are some simple methods to put your partner first, as well as Melissa's professional tips.
Melissa believes "we fall in love through the eyes". So for a glimpse of the person you fell in love with, she recommends taking a moment to look into their eyes.
"I even encourage people, as you're walking to the dishwasher, and you've got all your plates in your hand and one's juggling the plates and another one's putting the rubbish outside … just stop and connect, even if it's a few seconds looking into each other's eyes in all the chaos," she says.
For some couples finding a television show they both sit down and watch at least once a week is one of the most enjoyable and easy ways to spend time together.
"The ritual of watching the Outlander series with my husband helped us survive lockdown. We have two grown-up daughters living at home they both respected that this was their parents' time together. Alone. We'd light candles drink drams of scotch just to get into the magic of it all." — Helen
These listeners have a bed-time ritual:
"Great to hop into bed and cuddle up and listen to a chapter each night. Lovely, quality time."
"My hubby and I sit up in bed in the morning — cup of tea and Wordle together." — Gina
Another invested in a spa when their kids were 16 and 18:
"Every morning, my husband wakes up with a coffee, and we start our day here or in the spa. Just us and conversation before our day drags us away."
When the children get older, these rituals could become more elaborate.
"The reason why that's working is because it's actually a ritual," Melissa says.
"It's a couple ritual … we do this together. And it helps create safety and security and it's something you can both rely on."
What you say to one another as you drift off to sleep or first thing in the morning is particularly important, Melissa says.
"Right before going to sleep and waking up are crucial times for strengthening that connection," she says.
"Do that with your partner, just as you would with your child, even read your partner a bedtime story."
It's all part of "co-regulating" before sleep and when you wake up.
"Those times are really, really important because it helps regulate your nervous system with your partner," she says.
"And that can make a profound difference if you take time at those small moments."
Melissa is a big advocate for ditching the phone and focusing on your partner. Many listeners explained how they took 10 to 15 minutes for a chat over a cuppa when they first get home from work or while they are preparing dinner.
"I grew up in the 1950s. My parents were partners in business, and they always went for a short walk after dinner. They also didn't worry much about things which don't matter that much."
If these suggestions still seems a bit out of reach in your busy lives, it could be time to simply settle the issue with your partner and agree to let it go for now. Some couples find it useful to make an agreement about focusing on the children and what that means for their relationship.
Melissa says couples don't make enough agreements so parenting "can end up looking like the wild west". An agreement can take the pressure off so both adults know what's expected.
Get our newsletter for the best of ABC Everyday each week
By MIKE PASINI
The Imaging Resource Digital Photography Newsletter
Review Date: September 2012
With all the talk about mobile photography and cloud-based storage and subscription software, it's easy to lose sight of that Fall classic, Adobe Elements. Once again this September, Adobe has rolled out a new version of one of our favorite image and video editing solutions.
Adobe describes its Photoshop/Premiere Elements package with four words: Organize, Edit, Create and Share. But the reason we've always been fond of Elements is quite different: Learn.
When we recently reviewed ACDSee Pro 5, we took pains to show 1) how simple it was to automatically enhance an image and 2) how the program could also handle far more complex image edits, like split toning. But it doesn't teach you how to get from one to the other -- or even when to use the first.
Over the years Elements has evolved, adding more and more new technology into its affordable and approachable package. The Organizer got face recognition (in Elements 8), the Editor got the Healing Brush, more cool tricks were included as well as more ways to share.
The conveniences of the Organizer are greatly appreciated when you return from some event with a card full of images. And the sharing efficiencies actually make it feasible to show you were there. But the editor lets you take your images beyond snapshots and your video beyond rough cuts to something you can be proud to share.
And -- here's what we love -- Elements doesn't take any shortcuts. It leads you by the hand through some sophisticated edits but they're still sophisticated edits, not just an array of presets to pick from. If you want to know more than just what button to press, Elements is for you. It has all the power of the big guys but it has more help than less powerful approaches.
Half of all Elements users are 50 or over, according to Adobe. There's always something new to learn in this game and Elements has been around for over 10 years, so we suspect it has a faithful following that really likes this approach.
We've been playing with a pre-release version of Elements 11. Let's take a look at what's new.
| Back to Contents
In a briefing with Senior Product Manager Bob Gager, he explained development of Elements is pushed along by customer requests in concert with the team's evaluation of industry trends.
This release focused on three goals: Excellerate ease of use, instant sharing and easy video editing.
On a more concrete level, the release improves easy of use with a new interface that's much more pleasant to use than the older one, which was gradually disappearing on higher resolution monitors. It went out into the world in a beta version of Elements 11 in January and has been refined since then. Gager was pleased that new users find it more approachable but long-standing users aren't hampered by it.
Now that we're all taking great HD video with multiple devices, the problem is to make our clips actually watchable. And that means video editing. But traditional tools to edit video require going back to school. Gager said the interest in video has led to an increase in sales of the bundled Elements (both Photoshop and Premiere Elements). So the company worked on a quick editing mode and an expert editing mode for further refinement. It's sort of a two course meal instead of a smorgasbord.
The sharing game got some attention too, with instant uploads to a number of services (including Adobe's Revel). Vimeo was added for video, Cewe Color in Europe, Shutterfly in the U.S.
That's the scope of the changes, but the details are themselves pretty enticing.
| Back to Contents
We've complained about the tiny type of Elements' menu system before and it was the first question we asked Bob. It turns out the Elements team is setting an example for the rest of the user interface crowd out there (Lion and Mountain Lion especially) with its overhaul of the Elements user interface.
Any application has dozens of options but a user can only pick one at a time. And the hierarchy of picking is often lost on designers. Adobe has simplified the screen display so you can get right to work without getting lost in the forest.
Open the Organizer and you'll see what we mean right away. There's no toolbar on top. There aren't even any buttons up there, although the big bold words function as buttons. The first of them is Import, to bring your images into the Elements database. It sits right over the view of your Albums and Folders. Elements lets you view your images either in Elements Albums or by folders on your hard disk. The new way or the old way. Up to you.
You'll notice the word Media is reversed because that's what you're looking at: your stuff. But say you want to narrow things down a bit. Then the other word buttons are right there to do it: People, Places, Events.
In some software, you'd have to do a lot of work to make People, Places and Events actually display people, places and events. But Adobe uses face recognition routines to find photos of people and GPS data to find places and capture time data to group events. It's a running start that you can refine.
Create and Share on the right side of the top bar take you right into the editor functions when you're ready with pulldown menus showing you all the options without redrawing the whole screen. It's very efficient.
But what we just love about the new interface is right at the bottom. That's where you'll find the toolbar. The icons are just the right size with a text label below. And they are colored with a light pastel tone, mainly blue but with a little red and yellow thrown in. The monochrome icon is dead.
But we're also relieved to see the visual clutter cleaned up. The most used items are at the top of the screen. The tools are at the bottom. Attention has been paid to the contrast of the type and the tools so they're actually easily read.
For older eyes, a low-contrast interface, as in Lion/Mountain Lion is not a feature these days but a liability.
The interface is a big win in our book. Sufficient reason to upgrade, right there.
| Back to Contents
The import options cover everything from images on your drive (Files and Folders), on cards in your camera or card reader, by searching your drive, from Adobe Revel and, for Mac users, from iPhoto.
The Revel import intrigued us but it didn't recognize our albums (just one big display of all our images), so we skipped it. We imported from our Files and Folders.
That's not a bad way to work in real life either. Copy your images to your hard drive from your card. Back them up. Open Elements, import them. We imported 914 image in just a minute or so, each thumbnail flashing before our eyes.
Under the My Folders view on the left side, all of our folders showed up, much as they might in Lightroom. Click on any one of them to see the thumbnails.
But what we really wanted to try were the alternate views: People, Places, Events.
People. When we clicked on People, we were advised to Add People first. That's on the bottom tool bar (which Adobe calls an action bar). We were addressed to a folder of images of people to begin with, Elements analyzed it and then presented every face it could find and asked us who they were. It only took a few seconds to add names to the faces because Elements doesn't ask for each one, just each face it can't match to a name.
We ended up with a stack for each person Elements found. Scrubbing the cursor across the image on the stack, we could see the other images in chronological order. Easy.
Double clicking takes you into the stack in a grid view and a Back button (as in your Web browser) returns you to stack view.
You can also create Groups of people, like Family or Friends or Colleagues.
Places. For Places, when we clicked Add Places, Elements found all our GPS-tagged images and pinned them on a Google map. Instantly.
As we zoomed into the map, the pins multiplied, each showing how many images were taken in that spot. So if we were just looking at Millbrae, for example, we might see 13 shots. But if we were looking at California, we'd see a pin with 105 shots. Click on the pin to see those images arrayed on the left.
For images without GPS data, you can locate the image on the map. And this works for video, too.
Events. For Events we toggled to Smart Events, which groups images by capture time (but not GPS data). A slider lets you adjust the fineness of the clustering of capturing times. That isn't set absolutely in minutes and seconds but relative to other capture times. You can even let it cluster by date instead of time.
Alternately, you can manually Add Event and group images yourself. These named events are permanent, in contrast to the Smart Events that can be adjusted. So it's a good way to refine a Smart Event that wasn't quite smart enough. Scrubbing again lets you see what's in each stack and double clicking dives into the stack.
If you want to explore the metadata hidden away in the Exif header of your image, just click on the Info button in the bottom action bar and it shows up in the right-hand column. This is a great example of how Adobe makes the interface easier to use without dumbing it down.
You still have tags and keywords to play with, if you like, too. And ratings and sorting.
Not only is this a fun way to view your image collection, but it's the natural way. We want to find photos of someone (people) or somewhere (places) or some time (events). The beauty of Elements is that it was very quick to get this all going. And we could refine it manually at our leisure. But it was efficient to use the feature, which we can't always say.
That efficiency extends to sharing your images. The Organizer's Share menu lets you move an image or a selection of them to a number of services, including Adobe's Revel, or email them. Only Apple's Mail program was supported on the Mac, though.
The Preferences give you some interesting options, including how much media analysis to do.
We were a little surprised by how much CPU time Organizer took even when idle. We never hear the fans fire up on our laptop, but Elements kept them busy doing nothing. It must have been up to something but we couldn't tell what.
| Back to Contents
The same user interface scheme of the Organizer is used in the Editor. Except image navigation doesn't take a clue from the Organizer. You can open anything on your hard disk.
There are three levels to the Editing interface for stills: Quick, Guided and Expert. The interface tailors itself to your skill level when you select one of them. Except, that is, if you happen to open a Raw image, in which case, you're dealing with Camera Raw before Elements. And, it should be noted, can open the image in 16-bit channels.
The image pane for the Quick and Guided editing interfaces lets you view the original image and the edited image side by side (either horizontally or vertically). Or you can just look at the original or the edit.
Otherwise these interfaces are really quite different. It's like having three different image editing programs just a click away. Three that you'll actually use, we should add.
Quick has a Zoom and Hand tool (to move around the image) plus a set of basic editing tools: Quick Selection, Red-eye Removal, Whiten Teeth, Horizontal Type Tool, Healing Brush and Crop.
On the other side of the window, your options are Smart Fix, Exposure, Levels, Color, Balance and Sharpen. And the action bar has Photo Bin, Tool Options, Undo, Redo, Rotate and Organizer.
When you click on a tool, a set of tool options is displayed in the image pane under the image. When you click on a left-column option, its controls drop down. You set the control from a grid of nine thumbnails showing the effect like the old Variations option in Photoshop. As you hover over the option, the full-size image previews the change. Alternately you can refine the effect using a control like a slider.
You can do quite a bit in Quick mode and probably more than you might expect. Crop, Auto Levels to Excellerate exposure, Healing Brush touchups and Whiten Teeth would all seem to be popular options and they're all there. In fact, Bob told us, the Crop tool is the most used tool in Elements.
Guided. When you click on Guided edits, you enter a whole new galaxy of options. The Zoom and Hand tool are still there, as is the action bar options.
But on the right, you have three categories of tutorials: Touchups, Photo Effects and Photo Play:
When you click on Levels, for example, in Touchups, nothing happens. The right pane displays the Levels command with four steps explaining just what to do. The first step has a button to actually call up the Levels dialog box. The second explains how to set the black and white sliders with a rollover image showing the difference between before and after. The third explains how to set the middle slider and the fourth tells you to click OK when you're done.
It's a short course on using Levels, in fact.
But it also clues you in to the options you have. So while it teaches you which tool or technique creates the effect you want, it also shows you the options you have in creating that look.
The new Tilt-Shift effect is very easy to use and very effective. No messing around with handles and other obscure aids, you just drag your mouse on the image to create the effect. And you can have more than one focus zone in your image. You can also fine tune contrast and saturation in the image.
Expert. Expert mode divides the tool column into six labeled palettes: View (with the Zoom and Hand tools), Select (with four selection tools), Enhance (with a set of six tools), Draw (with eight tools), Modify with four tools) and Color. Organizing the tools into labeled palettes helps the infrequent dabbler but it's not a bad idea for anyone.
That sounds like a bounty of options but the tools are skewed more toward scrapbooking functions than image editing. There's a Cookie Cutter tool, for example, to mask an image in a shape you can rotate, angle or skew, feathering the selection as you wish. But there's no White Balance command (you use the Adjust Color command in the menu system for that).
But the tools are straightforward. As someone who can't shoot straight, we've become aficionados of Straighten tools. Elements works very nicely for horizontal straightening. Just draw a line on the image that should be horizontal and the image will be rotated. There are options for handling the background, too, so you retain control of the crop. We couldn't figure out how to straighten an image with a vertical line, though.
The interface is so attractive that menu items almost seem hidden. One such is Correct Camera Distortion. But this filter doesn't refer to a database of camera/lens combinations like Lightroom. Instead it presents your image with a grid overlay you can manually manipulate to remove lens distortions, vignette, control perspective and extend the edges (cropping the image).
Another interesting menu command you won't find elsewhere is Divide Scanned Photos. Most all-in-ones these days can do this automatically, scanning a group of prints and then writing each print to a separate file. But if yours can't, this command will take care of it.
On the other hand, there's a small palette available when you click on More that displays tabs for Info, Navigation, History, Histogram, Color Swatches and Actions. There's also a Layers option on the action bar to display Layers in the right-hand column, which is the way you see what a Guided edit has done.
Among the new filters are Pen and Ink, Comic, Graphic Novel.
Refine Edge is a button in the selection tool options panel. You can enable the Edge Detection feature, repaint and see a much more complex mask of the image. Without breaking a sweat.
Notes. In the course of editing a few images in Elements 11, we ran across a few mentionables.
| Back to Contents
The user interface improvements in Photoshop Elements are also used in Premiere Elements. And editing has been enhanced with a Quick mode in addition to the Expert mode to make common improvements easy to (find and) make.
Quick mode also makes it easy to add transitions, some of them quite complex. Just pick a transition and drag and drop it between clips. Set the duration, change how much of it appears in each clip (or center it between them) and that's it.
You can adjust the clip easily, too, automatically fixing exposure or lighting.
All of the adjustments are done in real time, so you don't have to render the video to see the effect.
The new vignette effect has been included in Premiere, too. You can keyframe these effects in Expert mode.
The Effects section has a new category called FilmLooks, which let you drag and drop effects like Old Film, Pandora, Newsreel. Scratches, jitter, all sorts of effects are mixed to create the look automatically. Some of them are patterned after strongly-styled Hollywood movies to give you that look. So Pandora, for example, turns all the skin tones blue.
Another new feature is Time Remapping, which lets you play around with both slow and fast motion techniques. You drop a Time Zone on to your clip, adjust the start and end of the clip, set a speed (fast or slow) and play it. So the Time Zone adjusts playback speed.
During pre-analysis of your video clip, Elements will automatically enable software stabilization to reduce camera shake if necessary.
| Back to Contents
System requirements common to both Windows and Mac OS include:
Additional Mac OS system requirements are:
Additional Windows system requirements are:
Adobe Premiere Elements supported import/export formats include:
AVCHD, Blu-ray Disc (export only), DV-AVI (import/export on Windows, import only on Mac OS), DVD, Dolby Digital Stereo, H.264, HDV, MPEG-1 (import only), MPEG-2, MPEG-4, MP3, QuickTime, Windows Media (Windows only) and many more. Import/export of some formats may require activation via an Internet connection.
PRICE & AVAILABILITY
| Back to Contents
The full price is $99 for either Photoshop Elements or Premiere Elements, $149 for the bundle. Existing customers back to v1.0 are eligible for upgrade pricing of $79 for individual products and $119 for the bundle.
Elements is available now from Adobe (htttp://adobe.com) and will be on store shelves shortly, the company confirmed.
Adobe also noted that previously exclusive tutorials, album templates, etc. will now be available free to all users. Previous Elements users with Photoshop.com accounts will continue to receive free services until September 2012.
| Back to Contents
Nobody is getting any younger. So outright prolonged applause for Elements' redesigned interface. Its subtle use of color icons should start a trend. And the simplified layout really does avoid the confusion and frustration of products of this complexity.
Nobody has any spare time either. So outright prolonged applause for the intelligent application of face recognition, GPS coordinates and Exif capture times. Adobe isn't alone here, of course, but the more of this there is, the longer we'll all seem to live.
Nobody likes to edit their video. Sure, it's easy to shoot and it looks pretty good whether you use your phone or a camera or even a vintage camcorder. And its fun to watch. Once. But Elements really does make it enjoyable to edit a few clips together, drag some transitions in, add a title, goof around with slow and fast motion (once in a while) and otherwise _entertain_ your audience. Again, they aren't alone here, but they really put a compelling package of filters and effects in the hands of mere camera owners.
Nobody (that we know anyway) is getting any richer. So it's certainly nice you can qualify for upgrade pricing with any version of the software, although we always cringe when Bob tells us what the product pricing will be. Every year. But it's cheaper than a Creative Cloud subscription, which isn't a bad deal itself.
With Apple's iPhoto and ACDSee Pro, there's always been a lot of competition in this arena. And with newer cloud-based apps full of presets and quick editing magic, the game is only heating up. But Elements remains the one tool with the hottest image engine harnessed to both simple and advanced tools plus tutorials that explain how to do things. Nobody does it better.
There are plenty of free browser-based solutions, but these convenient tools often don’t live up to the industry’s best. Of course, we’re talking about Adobe Acrobat Pro, Photoshop and others that come at a steep premium.
Great PDF software doesn’t have to be super fancy. We love a job well done, with few errors and easy delivery, download, share or publish options. Tap or click here to see some of our other favorite PDF tools online.
ILovePDF is one do-it-all PDF tool that can take care of pretty much any PDF-related task on your plate. Read on, never to find yourself messing around with an expired Acrobat subscription again.
ILovePDF is much more than just a browser-based PDF editor. You can download the app for your desktop or phone, but it works just as well through Safari, Chrome or any other browser you use.
To use ILovePDF, all you have to do is visit the site. On its homepage, you’ll see many options, which will likely be familiar to anybody who frequently works with PDF documents. This PDF web app enables you to do all of the following and more:
If you’ve ever been stuck with any of these tasks without the right PDF software to carry them out, this website will almost certainly be a sight for sore eyes. Things like text replacement, annotations, highlighting, and even adding new media to a PDF now take no time.
ILovePDF makes these simple tools easy to use and readily available from any device. Only one question remains: what happens to your document after you finish?
When you’re finished editing a PDF, hit the big Export PDF button at the bottom. The site will generate your new document, and you can download it to your computer directly if desired.
After finalizing edits, you’ll also be able to compress the PDF, merge it with another, protect it, split it, convert it, or add your final watermark.
Other handy options include the ability to share a QR code or a Google Docs-style sharing link, saving it to your Dropbox account and adding it to your Google Drive. You may also share it with any social media network, including Facebook, Twitter or LinkedIn.
These protected documents can often be a hiccup in one’s productivity pipeline. Thankfully, with tools like ILovePDF in your back pocket, you’ll never be locked out of something important again.
You may also like: A safe way to sign PDFs and convert them to different formats
A cyber mercenary company in Austria has likely been using zero-day exploits in Windows and Adobe software to spread malware to victims, according to Microsoft.
Microsoft made the allegation in a report(Opens in a new window) on Wednesday that linked the malware attacks to a mysterious intel-gathering firm in Austria called DSIRF. Redmond claims DSIRF is actually a professional hacking company that sells access to its “Subzero” malware tool to clients.
Over the past two years, Microsoft has detected the Subzero malware circulating to computers with the help of previously unknown vulnerabilities in both Windows and Adobe Reader. “Observed victims to date include law firms, banks, and strategic consultancies in countries such as Austria, the United Kingdom, and Panama,” the company added.
Back in May, Microsoft detected one such attack that involved sending a malicious PDF through email in order to infect the user’s computer. The PDF was designed to exploit a vulnerability in Adobe Reader to remotely execute computer code on the victim’s machine. The attack could then elevate privileges to run system level-code by leveraging a previously unknown flaw(Opens in a new window) in Windows, dubbed CVE-2022-22047, which Microsoft only patched earlier this month.
Chaining the two vulnerabilities together allegedly enabled DSIRF to download and install the Subzero malware onto the victim’s computer. According to Microsoft, the malware’s main component allows it to log keyboard strokes, capture screenshots, steal files and run additional programs over the hijacked machine.
In addition to using PDFs, Microsoft has also detected DSIRF relying on Excel documents containing malicious macros to secretly spread Subzero.
The company is linking the attacks to DSIRF, citing the servers and internet domains the Subzero malware was communicating to. RiskIQ, a threat intelligence firm Microsoft acquired last year, was able to identify “a host of additional IP addresses under the control” of the hackers.
“This process yielded several domains with direct links to DSIRF, including demo3[.]dsirf[.]eu (the company’s own website), and several subdomains that appear to have been used for malware development, including debugmex[.]dsirflabs[.]eu (likely a server used for debugging malware with the bespoke utility tool Mex) and szstaging[.]dsirflabs[.]eu (likely a server used to stage Subzero malware),” Microsoft said.
DSIRF didn’t immediately respond to a request for comment. In the meantime, Microsoft is urging customers to prioritize patching the Windows flaw CVE-2022-22047 in their computers. This can be done by installing the latest Windows updates.
The company’s Microsoft Defender Antivirus has also been updated to detect the presence of the Subzero malware. However, Microsoft wasn't able to uncover exact details of the Adobe Reader vulnerability, which the company suspects with "medium confidence" remains a publicly-unknown flaw in the software.
Sign up for SecurityWatch newsletter for our top privacy and security stories delivered right to your inbox.
The Personalization Engines Market Report contains key market data, new trends, product usage, and driving factors for customers and competitors. This excellent market report assesses the current market condition, market size and market share, revenue generated from product sales, and essential changes required for future products. This is a detailed market research report that achieves this purpose and gives companies a competitive advantage. The data contained in the Winning Personalization Engines Report not only helps you plan your investment, advertising, promotion, marketing, and sales strategies more effectively, but also helps you make wise and effective decisions.
The best Personalization Engines market Research Report is generated because it serves as an innovative solution for your business in the currently evolving market. This activity report also reviews key market participants, key collaborations, mergers and acquisitions, innovation, and business policy trends. The report includes a list of key competitors with the required specifications and also provides insight and analysis of key factors affecting the industry. The data and insights from the Personalization Engines Business report not only help companies make data-driven decisions, but also help companies make data-driven decisions.
Request PDF demo Copy of Report: (Including Full TOC, List of Tables & Figures, Chart) @ https://www.verifiedmarketreports.com/download-sample/?rid=51065
Company/Manufacturer / Vendor Coverage (Company profile, sales revenue, price, total profit, main products, etc.):
Market segmentation of Personalization Engines market:
Personalization Engines market is divided by type and application. For the period 2021-2028, cross-segment growth provides accurate calculations and forecasts of sales by Type and Application in terms of volume and value. This analysis can help you grow your business by targeting qualified niche markets.
Personalization Engines Market Segment by Type :
Personalization Engines Market Segment by Application :
A variety of factors are responsible for the growth trajectory of the market, which is studied on the road. It is also a global Personalization Engines that threatens to pose as a report list being caged down. This report integrates the primary and secondary research to provide market size,sharing,dynamics, and forecasting for various segments and sub-segments considered in micro-environmental factors. It is also a gauge of the bargaining power of suppliers and buyers,a new participant in the threat and a substitute for the product and a degree of competition prevailing in the market.
The report provides insight into the following pointers:
Market penetration: Comprehensive information about the product portfolio of the best players of the Personalization Engines.
Competitive assessment: In-depth assessment of the market strategy,the market of leading players in the region and business segments.
Product Development / Innovation: Detailed insights into upcoming technologies,R&D activities,and product launch markets.
Market Development: Comprehensive information about emerging markets. This report analyzes the market across a variety of segments and regions.
Market diversification: complete information about new products,undeveloped geography,recent developments,and investments in the Personalization Engines.
The latest government guidance of impact is also a detailed report from the analysis. It becomes a predictive period between the study and the trajectory of the Personalization Engines. Cost analysis of global fashion luxury cashmere clothing stores has been carried out,while keeping in view the manufacturing costs,labor costs,and raw materials and their market concentration, assessing suppliers, price trends.
Get Discount On The Purchase Of This Report @ https://www.verifiedmarketreports.com/ask-for-discount/?rid=51065
The report also serves as a convenient guide to design and implement potential growth adjustment activities in some areas of the Personalization Engines market. Frontline players and their effective growth strategies are also included in the report to mimic growth.
– North America (USA, Canada, Mexico)
– Europe (UK,France, Germany, Spain, Italy, Central and Eastern Europe, CIS)
– Asia-Pacific (China, Japan, Korea, ASEAN, India, and other Asia-Pacific regions)
– Latin America (Brazil, the rest of LA)
– Middle East and Africa (Turkey, GCC, the rest of the Middle East)
Reasons Why You Should Buy This Report:
Table of Contents:
Customization of this report: This Personalization Engines market report can be customized to your requirements.
For More Information or Query, Visit @ https://www.verifiedmarketreports.com/product/global-personalization-engines-market-2019-by-company-regions-type-and-application-forecast-to-2024/
About Us: Verified Market Reports
Verified Market Reports is a leading Global Research and Consulting firm servicing over 5000+ global clients. We provide advanced analytical research solutions while offering information-enriched research studies.
We also offer insights into strategic and growth analyses and data necessary to achieve corporate goals and critical revenue decisions.
Our 250 Analysts and SME’s offer a high level of expertise in data collection and governance using industrial techniques to collect and analyze data on more than 25,000 high-impact and niche markets. Our analysts are trained to combine modern data collection techniques, superior research methodology, expertise, and years of collective experience to produce informative and accurate research.
Our research spans over a multitude of industries including Energy, Technology, Manufacturing and Construction, Chemicals and Materials, Food and Beverages etc. Having serviced many Fortune 2000 organizations, we bring a rich and reliable experience that covers all kinds of research needs.
Mr. Edwyne Fernandes
US: +1 (650)-781-4080
UK: +44 (753)-715-0008
APAC: +61 (488)-85-9400
US Toll-Free: +1 (800)-782-1768
Amazon's exclusive Prime Day shopping extravaganza returns for its seventh year. Now with more access to third-party deals than ever before, the annual Black Friday in summertime sales event launches at 3 a.m. Tuesday, July 12, and runs through Wednesday, July 13.
First held in 2015, the e-commerce giant's self-conceived consumer holiday continues to break records year after year. Total online retail sales during Amazon’s 48-hour Prime Day event in 2021 surpassed $11 billion, according to data compiled by Adobe Analytics, 6.1 percent higher than overall transactions generated in 2020.
Adobe has a vision for an internet peppered with photos and videos packaged up with extra data about where they came from. The company’s central aim is to mitigate the spread of visual misinformation, but the system could also be a boon for content creators desparate to keep their names attached to their work.
First announced in 2019, Adobe’s Content Authenticity Initiative (CAI) project has since released a whitepaper on a technology to do just that, introduced the system into its own software and partnered up with newsrooms and hardware makers that could help universalize its vision.
Image Credits: Adobe
As EXIF data stores details about aperture and shutter speed, the new standard also records information about a file’s creation, including how it was made and edited. And if the company’s shared vision comes to pass, that metadata, which Adobe refers to as "content credentials," would then be widely viewable across social media platforms, image editors and news sites.
“Detection [for misinformation] is going to be an arms race, and, you know, frankly, the good guys will lose," Andy Parsons, senior director of Adobe's Content Authenticity Initiative (CAI), told TechCrunch. "We endeavored instead to double down on content authenticity, which is this idea of proving what's real, how something was made, in cases where it makes sense, who made it.”
The underlying standard, C2PA, is the result of a collaboration between Adobe’s CAI and partners including Microsoft, Sony, Intel, Twitter and the BBC. The Wall Street Journal, Nikon and the Associated Press have also recently joined Adobe’s commitment to make content authentication widespread.
The CAI’s core goal is to counter visual misinformation online — think recirculated old images distorting the war in Ukraine or the infamous Nancy Pelosi “cheapfake.” But a digital chain of custody could also benefit content creators who have their work stolen or put up for sale, a phenomenon that’s plagued visual artists for years and now is causing headaches in NFT markets.
Parsons noted that the CAI is also receiving a surprising amount of inbound interest from companies producing synthetic images and videos. By embedding origin metadata into the kind of AI creations we're seeing out of models like DALL-E, companies can be sure those generative images aren't easily mistaken for the real thing.
While the C2PA standard can be likened to something like EXIF, Adobe says that the new content attribution standard is much less “brittle” in terms of tampering with or breaking the attached information. Through a verification site Adobe launched last year, anyone can drag and drop an image with content credentials to verify that they are legitimate. And even if someone breaks the embedded data, it can be re-attached through image fingerprinting techniques.
Adobe's vision for authenticating online content is expansive, but it remains realistic about the limits of the project. People with bad intentions will always find a way to mislead others, but the company hopes that a good chunk of average internet users will be open to being presented with more information about what content they can trust online.
The company is also hopeful that the more adoption that the standard sees, the more momentum will build for image-heavy social media platforms to implement it, even if they’re resistant at first. Flickr, for example, has long displayed EXIF data alongside each image, but Instagram and most other modern image-based social networks strip out metadata, even as some of them prompt users to add location tags back in.
Image Credits: Adobe
Getting social platforms on board begins with convincing those companies to keep the content credentials intact. “Once applications and websites and platforms start preserving it, then you know, downstream consumers who might download something off the Instagram website, or who might share something on WhatsApp will know that the data exists,” Parsons said. “And then we think it's a matter of time, as a matter of that snowball effect, so that folks will show it. There's really no downside.”
The company is investing in education around content authenticity and visual misinformation but is moving quickly to lay a groundwork for widespread adoption — and that’s something Adobe has a long track record of doing with ubiquitous file formats like XMP and PDF and its industry standard image editing software.
“It's one thing to create a spec, have it ratified by industry leaders like our partners, Microsoft, Intel, ARM, Nikon and others. It's another thing to see it actually adopted," Parsons said. “... The catalyst to adoption was [always] going to be tools that help people implement the stuff and ensuring that they can do it for free. So you know, no intellectual property, no licensing fees whatsoever, no royalties, just free, true open source code.”